For a brief moment, the connection between seeing and seen feels timeless.
Intuition has many faces. It shows up as goosebumps (I call them truthbumps), a gut feeling, or a hazy sense of “yes, that!”. Sometimes it’s subtle, needing me to quiet the mind and listen deeply. Sometimes it comes howling, screaming, and kicking without warning. Whatever the shape or flavor, it’s there and it’s got my back.
All analog double exposures in this selection were shot intuitively. It means that I shoot a 35mm film in its entirety, store it in the fridge for some time (usually a few months), and when time is ripe, I take it on another adventure for its second exposure. In this way, two images merge inside the camera, connecting two different places and times. And normally I don’t know what happened until the film is developed.
This photographic practice is slow and pleasantly unforgiving. It anchors me in my body and in the moment, sharpens my perception, and lets everything else fade away. The final results are a wild mix of everything: weird, precious, messy, fascinating. Some turn out to be true gems that I couldn't have envisioned into existence and that become very dear to me.
